ストリッパーになったバレリーナ
Broadcasting
- Year of Production
- 2025
- Content Type
- Web/Mobile Content
- Platform
- Mobile Operator
- Target Age
- Adults
- Quantity
- 2(min) 35Quantity Input
Summary
「同じ体型、同じ顔なのに、どうして私はダメなの…?!」
「お姉ちゃんがあんたなんて、いなくなればいいってさ」
バレエの天才だった双子の妹に嫉妬した姉は
親を殺し、妹の顔に硫酸をかけ、彼女の人生を奪い去った。
すべてを失った妹は手術で顔を変え、
新しい名前を手に入れて復讐を誓う。
「お姉ちゃんのすべてを奪ってやる。名誉も、お金も、そしてあの男も!!」
「でも、貧乏なストリッパーの復讐って…そう簡単じゃないのね」
復讐の渦の中で交錯する運命の姉妹、
憎しみと欲望、その果てにあるものは？
「お姉ちゃんがあんたなんて、いなくなればいいってさ」
バレエの天才だった双子の妹に嫉妬した姉は
親を殺し、妹の顔に硫酸をかけ、彼女の人生を奪い去った。
すべてを失った妹は手術で顔を変え、
新しい名前を手に入れて復讐を誓う。
「お姉ちゃんのすべてを奪ってやる。名誉も、お金も、そしてあの男も!!」
「でも、貧乏なストリッパーの復讐って…そう簡単じゃないのね」
復讐の渦の中で交錯する運命の姉妹、
憎しみと欲望、その果てにあるものは？
Company Profile
Broadcasting
COPUS KOREA Co.,Ltd.
COPUS has been a bridge for cultural content exchange between Korea and Japan for the past 20 years, delivering Korean Wave (Hallyu) content to the global market with a strong focus on Japan.
Beyond content distribution, COPUS has expanded its business by developing and investing in original IPs, while strengthening its global presence through international drama distribution and localization strategies.
In addition to video distribution, COPUS has demonstrated its production capabilities through successful drama projects such as The Tale of Lady Ok (2024), solidifying its foundation as a content production company.
Since 2020, the company has accelerated its business expansion by developing diverse content IPs—including webtoons, web novels, and audiobooks—and implementing a 360-degree branding strategy.
In 2024, COPUS established the joint venture HyperEpic Co., Ltd., launching its short-form business in full scale. The company now covers the planning, production, distribution, and even platform operation of short-form content, including dramas and variety shows.
Subsidiaries: Kim Jong Hak Production Co., Ltd., HyperEpic Co., Ltd
Beyond content distribution, COPUS has expanded its business by developing and investing in original IPs, while strengthening its global presence through international drama distribution and localization strategies.
In addition to video distribution, COPUS has demonstrated its production capabilities through successful drama projects such as The Tale of Lady Ok (2024), solidifying its foundation as a content production company.
Since 2020, the company has accelerated its business expansion by developing diverse content IPs—including webtoons, web novels, and audiobooks—and implementing a 360-degree branding strategy.
In 2024, COPUS established the joint venture HyperEpic Co., Ltd., launching its short-form business in full scale. The company now covers the planning, production, distribution, and even platform operation of short-form content, including dramas and variety shows.
Subsidiaries: Kim Jong Hak Production Co., Ltd., HyperEpic Co., Ltd